prairie dresses Prairie, Dresses, Art, Other
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prairie dresses

prairie dresses Prairie, Dresses, Art, Other

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prairie dresses Prairie, Dresses, Art, OtherLiterary Collection by Danielle Dutton April 23, 2024 5 x 7. 5 176 pages 9781566897037 From the strikingly smart and daringly feminist (Jenny Offill) author of Margaret the First and SPRAWL comes a prose collection like no other, where different styles of writing and different spaces of experience create a collage of the depths and strangeness of contemporary life. Luminous (The Guardian) and brilliantly odd (The Irish Independent), Danielle Duttons

Literary Collection by Danielle Dutton

April 23, 2024 • 5 x 7.5 • 176 pages • 9781566897037

From the “strikingly smart and daringly feminist” (Jenny Offill) author of Margaret the First and SPRAWL comes a prose collection like no other, where different styles of writing and different spaces of experience create a collage of the depths and strangeness of contemporary life.

“Luminous” (The Guardian) and “brilliantly odd” (The Irish Independent), Danielle Dutton’s writing is as protean as it is beguiling. In the four eponymous sections of Prairie, Dresses, Art, Other, Dutton imagines new models for how literature might work in our fractured times.

“Prairie” is a cycle of surreal stories set in the quickly disappearing prairieland of the American Midwest. “Dresses” offers a surprisingly moving portrait of literary fashions. “Art” turns to essay, examining how works of visual art and fiction might relate to one another, a question central to the whole book; while the final section, “Other,” includes pieces of irregular (“other”) forms, stories-as-essays or essays-as-stories that defy category and are hilarious and heartbreaking by turns.

Out of these varied materials, Dutton builds a haunting landscape of wildflowers, megadams, black holes, violence, fear, virtual reality, abiding strangeness, and indefinable beauty.

About the Author

Danielle Dutton’s previous books are Margaret the First, SPRAWL, and Attempts at a Life. Her writing has appeared in magazines and journals including The New Yorker, Harper’s, The Paris Review, BOMB, The White Review, and NOON. Dutton teaches at Washington University in Saint Louis and is the cofounder and editor of Dorothy, a publishing project. Born and raised in California, she has lived on the (former) prairie for nearly twenty years.

Praise for Prairie, Dresses, Art, Other

Finalist for the 2024 Big Other Book Award for Nonfiction
A Document Top Read of 2024
Literary Hub Most Anticipated Book of 2024
A Rumpus Most Anticipated Book of (early) 2024
A Bookshop.org Most Anticipated Book of 2024
A Millions Most Anticipated Book of Spring 2024

“A shimmering and perplexing work that challenges the constraints of traditional prose… Highbrow while remaining mischievously playful, reminiscent of the form-smashing thrills of writers like Lydia Davis and Anne Carson.” Kirkus, starred review

"Relentlessly surprising and thoroughly original, this dazzles." Publishers Weekly

“Divided into the title’s four rubrics, the volume still permits us to glide across and through disparate subjects and forms eased by Dutton’s serenely discerning voice, one so studded with alert perceptions that the book possesses a poetic density belying its slender size.” —Albert Mobilio, 4Columns

“How the world has changed since the Brontë sisters wrote of long walks over the moors, or Virginia Woolf of flowers, trees, water, sky. The texture of those writers is all over these pages, and you can almost hear Dutton talking to them, saying, Look what’s happened! Saying, Is there a future?—Deb Olin Unferth, The Believer

"This is one everyone will be talking about." —Emily Firetog, Literary Hub

“Dutton’s work is always formally inventive, refreshingly ambitious, and totally brilliant.”The Millions

“[Dutton stitches] together recurring dreams, real and imagined botanical terms, and dialogue from novels and films to create a tapestry of the desolation of modern life and the flimsiness of our protections against environmental collapse.” —Helen Hill, The Rumpus

"You’re never sure whether Dutton is still on the outside, or getting at the narrator’s anxiety within. But that uncertainty feels part of this project, which gives us not just a cycle of stylishly observed stories but also, midway through, the tools to read them." —Lucy Thynne, The Telegraph

“It’s easy for one to assume that prairies might be the landscapes hiding inside Dutton herself. Like prairies, Dutton’s writing feels expansive, eternal, spreading out in all directions, far beyond you—far past any kind of vanishing point.” —Nikki Barnhart, The Journal

“Danielle Dutton, maskless hero of a lyrical avant-garde, has written a new book that is certain to challenge assumptions about contemporary American literature.” —Eric Bies, Open Letters Review

"A welcome addition to the boundary-resistant genre of 'weird little book.'" —Dan Irving, Annulet

“Danielle Dutton’s collection Prairie, Dresses, Art, Other is modern creative nonfiction at its best, a collection of original and inventive pieces that defy literary categorization.” —David Gutowski, Largehearted Boy

“Writing ignites “a politics of attention” in Danielle Dutton’s literary, unconventional collection Prairie, Dresses, Art, Other, whose entries are bound by energy, sharp awareness of the world’s dangers, family relationships, and the topic of writing itself.” —Karen Rigby, Foreword Reviews

“Pieces included in Prairie, Dresses, Art, Other are not short stories or essays in the strict (and limited) sense, but spells, incantatory hallucinations, organically shared phantasmagoria, bodily immersions in materials worldly and other-wordly. It is a book and yet it is definitely way more: a field of irruptions. This is Dutton at her best yet.” —Cristina Rivera Garza

“I know it sounds absurd, but I am fairly certain that some undiscovered, hallucinogenic essence is working through Danielle Dutton’s surreal and disorienting prose because the prairie I thought I knew is not, I now realize, the prairie I know at all. ¡Carajo! Whatever chaos or existential doubt is unearthed by these uncanny and highly stylized contemporary parables deserves to be played out. This book is so wild—I’m obsessed.” —Lara Mimosa Montes

Danielle Dutton is a writer whose work I wait for. When a new book comes, I keep it very close, marveling at how her writing combines such extraordinary acts of precision, drawing forth strangeness and new presentations of beauty, with her own singular and searching, expansive style of intelligence. Her growing body of work is among the most formally inventive (and therefore essential) I can think of, and Prairie, Dresses, Art, Other is a vital, enlivening addition to it." —Kate Briggs

“This surreal, (in)sightful collection of essays and stories is riotous and sublime, a love letter to making art.” —Mairead Small Staid

Prairie, Dresses, Art, Other is an absorbing assemblage of surrealist prose threaded with deep unease. Danielle Dutton’s densely woven psychological landscapes render the world as strange, slippery, and surprising as some of us believe it to be.” —Kathryn Scanlan

 

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★★★★★ 5
Hold my computer desk top repaired
Size: 38"Height × 14" Wide
Counter height table legs are sturdy and it holds a great amount of weight. I was easy to adjust height for the table we needed to be repaired with legs. It was a great choice in repair of computer desk. I had a desk that tore apart because of the press board siding. Took the top of of siding and repaired with these legs. I am totally satisfied
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★★★★★ 2
Wobbly
Size: 38"Height × 14" Wide
Look great but they are not solid. Table is super wobbly
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Reviewed in the United States on August 21, 2025
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Modern, Sturdy, and Perfect for Outdoor Projects
Size: 38"Height × 14" Wide
These metal pipes made fantastic table legs for our outdoor wood table. They have a sleek, modern look that feels high-end. We sprayed them with Rust-Oleum for added protection, and they’ve held up great. Solid, stylish, and functional—highly recommend for any DIY furniture project!
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Nana V
Boise, US
★★★★★ 1
Wobbly
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Not sturdy
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Orlando J.
Port Orchard, US
★★★★★ 5
Great design for a kitchen sink organizer -- will not tip or accumulate water
We've had an Oxo kitchen sink organizer for years, and it's been fine, except 1) tall brushes (for example, Oxo brushes) make it tippy, stray elbows or imperfect placement of the brush would knock it into the sink and 2) it built up a soapy sludge in the bottom that that had to be drained and wiped down constantly. This item solves both issues perfectly. Likes: Size - I think it's about 5 inches deep, which is just right to fit the strip of countertop that runs behind the sink, up against the backsplash Weight - The drying stone in the bottom gives the baskets some real heft, so there is no tipping it over by bumping a brush handle -- it really stays put Drying stone -- The diatomaceous drying stone that slides into the bottom of the main basket is a great idea. These are porous stones that will absorb water and then allow it to evaporate fairly quickly. So far, it seems to be doing its job well. I'm sure the stone will need a wipe down now and then to stay clean, but no puddles of sludgy soapy water in the bottom is a big plus Overall Design/Build quality -- The unit seems solid. It's a simple design, but there are no sharp edges or unfinished bits. Once in place it doesn't wobble a bit. I wasn't sure about the black powder-coated finish, but installed it looks clean and it's unobtrusive. I appreciate that the smaller basket for tall brushes sits on hooks and can be hung inside or outside the main basket. Ours sits inside, but there's plenty of room left over for sponges . And there's still room to stand up a bottle of liquid detergent or counter-top spray. NOT SO LIKES Nothing so far. I notice a lot of this style of sink organizer on Amazon, so presumably they're selling well. It's a great improvement over the older kinds. Five big, clean, well-organized stars. Highly recommended.
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Reviewed in the United States on December 6, 2025

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